
RUBRIC
PLAYWRITING | 4 – Yes | 3 – Yes, but | 2 – No, but… | 1 – No |
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Objectives | Creates imaginative actions and reactions to obstacles in the scene that reveal a deep understanding of the character’s wants and relationship/s. | Creates logical actions and reactions to the obstacles in the scene, but is unclear about the character’s wants and/or relationship/s. | Creates weak responses to the obstacles in the scene, but does attempt to communicate about the character’s relationship/s. | Fails to identify character objectives and/or does not develop the character’s relationship/s. |
Dramatic Structure | Creates a compelling scene with an intriguing conflict that is consistent with and builds upon the scene/play. | Creates a scene with a clear conflict that is consistent with the scene/play. | Creates a scene with a weak conflict, but there is a clear attempt to build upon the scene/play. | Creates a scene with a weak conflict that has little relationship to the scene/play. |
Voice | True to established voices of characters whose reactions are consistent regardless of circumstances. | True to established voices of characters, but some inconsistent reactions to circumstances. | Maintains voices for the characters if unclear, but their reactions are inconsistent. | Does not maintain character’s voice and/or fails to establish consistent responses to circumstances. |