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June 10 – August 23
Jay Ellis (Top Gun: Maverick, Insecure) and Stephanie Nur (Lioness, 1883) ignite the stage in this gripping new drama about love, survival, and impossible choices. Discover the electrifying connection between Duke (Ellis), an international hip-hop artist, and Roya (Nur), a fearless Afghan interpreter, who find love in the unlikeliest of places: war-torn Kabul. As their worlds collide, they must navigate cultural divides, make personal sacrifices, and fight for their future in a world determined to keep them apart. Is their bond strong enough to survive?
Don’t miss DUKE & ROYA, the breathtaking play from acclaimed playwright Charles Randolph-Wright, directed by Warren Adams, with a cast that includes Olivier Award winner Noma Dumezweni (Harry Potter and the Cursed Child, Presumed Innocent) and Dariush Kashani (Oslo, The Band’s Visit). Produced by Tony® winners Laura Ivey and Janet Brenner, Smada Media and Get Lifted Film Co.’s Emmy® and Tony® winner Mike Jackson, Emmy® Award winner Ty Stiklorius, and EGOT winner John Legend.
Witness the power of this 11-week limited engagement production at New York’s historic Lucille Lortel Theatre. A story of love, identity, and resilience, DUKE & ROYA is a spellbinding theatrical event that is as thrilling as it is timely.
Tony-award nominee John-Andrew Morrison (A Strange Loop) takes on the title role of Medea in this rare revival of H.M. Koutoukas’ Medea of the Laundromat, an ancient Greek tragedy set in a laundromat that unfolds in a 1960s coffeehouse. This seminal work by the “Godfather of Off-Off-Broadway” is directed by Arthur Adair.
With a wildly surreal style of drama, H. M. Koutoukas (1937–2010) was a prolific playwright who wrote outrageously stylized characters, equipped them with arch dialogue and set them loose in outlandish situations. He obeyed no rules but those that one of his characters called “the ancient laws of glitter.” He produced at a furious rate, turning out three plays a year in the 1960s and 1970s. Many were presented on less than a shoestring at La MaMa and the Caffe Cino. Props and flats were scavenged from the street. Often the actors were, too. Click to view program.